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From Steve Hacket and Jimi Hendrix, to Van Halen and Jonny Greenwood, guitarists of all stripes have used modulation effects to add something different to their guitar sounds. Like many other effects, phasers came to prominence in the late 60s and can be heard on all sorts of psychedelic and funk records from the 70s and beyond.
This is the standard. The Phase 90 dates back to the s and set the bar for phasers. On lower settings, that means just a subtle swirl. On a higher rate setting, the effect gives something of a choppier, more pronounced motion to the sound of the effect. For one, you can select between the standard four-stage phaser of the Phase 90 or the slightly subtle two-stage phasing of the Phase
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The MXR Phase Script pedal is a vintage phaser that set the standard for all following MXR phase pedals. Each of these pedals was crafted in the ’70s.
This was an updated version of the original PH It can create an wide array of different tones. There are at least 2 cosmetically different PH-1Rs. Later the font was slightly changed and the P was then found under the e i Phaser. A Rate control provides more sweep speed variance than any other phase shifter now available — from msec to 16 seconds — while the Depth control, permits notch depth adjustment, adjusts the phasing intensity and tailors the PH-1R to whatever instrument is being used, resulting in more precise control over virtually any creative application.
A deeper-sounding phase effect can be achieved be rerouting the previously phased signal back through the circuit by means of the Resonance control. This control is adjustable over a wide range in order to permit maximum creative control. Boss Area.
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I wrote a somewhat comprehensive article on Wahs for Vintage Guitar Magazine Wah, a MXR Distortion Plus, and a MXR Phase 90 (both script logo models). I now hesitate to make any % definite statements regarding the old wahs.
I love the Phase and the Phase 45 pedals—I own both—but for me, the quintessential phase box is the The 45 is a two-stage phaser, while the 90 is a four-stage unit. Some might claim the 45 is milder, making it more musical, but I like how much phase you can dial in with the It can be subtle and svelte, or it can be a whooshing monster. Plus, I kind of like the unintended affect it has to my tone, since it adds gain and volume.
I recently put a Jacques Stompboxes Meistersinger on the party board. It can do the slow, signature chorus sound, but I really dig chorusing effects when you crank the rate to 75 or 80 percent. They get choppy, hectic, and almost abrasive. I love how the notes decay into one another with an added shimmer, plus you can get crazy self-oscillation action for hours of fun from one guitar note.
I use it a lot live, just to thicken my clean tones with a short delay. Chris Kies has degrees in Journalism and History from the University of Iowa and has been with PG dating back to his days as an intern in Other than that, he spends time with his pitbull and enjoys non-guitar-related hobbies.
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According to one helpful collector, the MXR serial numbers are a mystery. also released, as well as a programmable version, the Phase
Condition is Used. It sounds great. Part of the pedal case is broke,Where the silver screw latches. I got it broken many years ago. It does work. The overdrive knob is some where around here. If I sell it someone I’ll try to get them the correct knob. Thanks for looking. I also have a MXR Distortion plus script for…. Electro-Harmonix Space Drum.
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I am repairing an MXR Phase and would like to give the owner a good idea of when it was built. It is an early block logo pedal, the speed.
This simple two knob compressor has attracted throngs of faithful followers. What sets the MXR apart from hundreds of other stompers is it’s unique voice. It’s really not that transparent or really that clean but, for some reason, it makes guitars comes alive. The Dynacomp isn’t subtle and the strong squish it creates can be startling at first. Upon first plugging this in, you may have some reservation about the stranglehold it has on your tone but after a few adjustments this things can make your guitar come alive.
These duties include leads, clean chicken picking, or simple boosts. It works well in all these scenarios as long as you take the time to tweak your whole rig to taste.